Perfecting flash fiction and short stories for the marketplace takes time, patience, and feedback from those you trust.

But…when writing is a lonely job, where do you get help?

Editing Built for Authors Who Mean It

We don’t just edit stories—we help authors grow into their next level. If you’re serious about strengthening your craft, you’re in the right place. We work with all levels, from those just beginning to advanced authors.

Editing is Analytical and Subjective:

Our role is to evaluate your flash fiction short story of 300 to 1,000 words or short fiction of up to 2,500 words through proven craft principles. We give you an unbiased, constructive roadmap for improvement.

With thoughtful guidance, structural clarity, and an editor invested in your growth, this is where your breakthrough begins.

Here’s what authors say about us.

We’re different in our editorial approach

We’re trained in all forms and styles, but we prefer to specialize in editing, which means focusing on YOU. Meet Allison, our literary Senior Editor, and Rhonda, our genre editor and EIC.

ALLISON RENNER

LITERARY SENIOR EDITOR:

Voice.  Meaning.  Depth

I specialize in literary fiction with a focus on voice and meaning—the deeper current beneath the prose.

Many literary stories are beautifully written yet emotionally static. The sentences shine, but the story doesn’t deepen. Often, the writer is circling a powerful idea without fully committing to it.

That’s where I come in.

From Beautiful Prose to Narrative Momentum.

I pay close attention to:

  • How scenes accumulate emotional pressure 
  • How images recur, evolve, and gain meaning 
  • What is implied versus what is simply withheld 
  • Where ambiguity is intentional—and where it’s accidental 

When a story feels vague or unfinished, there are usually clear craft reasons. I identify them and help you revise with greater clarity, resonance, and purpose.

Rhonda Schlumpberger, EIC, Intrepidus Ink

RHONDA SCHLUMPBERGER

GENRE EDITOR:

Close Reading.  Clear Direction.

I help you see what your story is doing now, and what it must do deliberately.

That’s because my great interest is structure.

  • The editorial relationship is collaborative, but it’s also a mentoring opportunity. I’ll help you understand what’s working, what needs strengthening, and how to improve so each project makes you better than the last.
  • Concerning structure, many writers struggle here. Significantly, faulty structures are one of the top reasons why editors reject stories. I help strengthen openings, clarify character arcs, build meaningful stakes, and craft earned endings.
  • I remove redundancies, tighten focus, and strengthen dialogue so every scene carries weight. No fluff. Just intentional storytelling.

My goal is always to encourage you in your writing journey with the insights you need to light the way.

One-Pass Edit

Every story receives a thorough One-Pass Edit, complete with in-document notes and a substantial summary in either bullets or longform

Attention That Matters

We don’t count words in the summary. We count breakthroughs. Every manuscript gets hours of focused attention aimed at uncovering what’s happening in your story, where it’s losing ground, and how to strengthen its impact.

Direct. Honest. Always Encouraging.

Every critique comes with clarity, support, and a path forward. Progress, not perfection.

Macro to Micro Editing

We start with the foundation: Big picture first, details second.

Theory-Driven. Practice-Proven.

Feedback is grounded in narrative theory, supported by examples, and paired with practical tools when applicable. Clear. Transferable. Professional.

You’re in Control

Choose a slower turnaround and pay less, or accelerate the process and pay more. The depth of the edit doesn’t change—only the speed.

Writing is lonely.

Revision doesn’t have to be.


Send us your story. We give great advice!

Chase Away Your Lonelies. Why Wait?