I died on a Tuesday, which wasn’t nearly as inconvenient as dying again on Thursday. The first death was clinical—heart stopped for six minutes during a valve replacement. But death, like most bureaucracies, has loopholes. The surgeons pulled me back and sent me home with blood thinners and instructions to “take […]
The Second Death of Wallace Porter Read More »
When I’d started the hike, solitude had felt like a gift—space to breathe, to let the silence scour away the months of second-guessing and what-ifs. Time to decide what comes next. Now, as stingy sunlight bled away, unease pooled under my ribs, spreading with every breath. Massive storm clouds, bellies swollen
Writers generally detest absence. Thus, we rush to explain what we believe readers need to know. But what if we give our audience just the right information and trust them to infer meaning? Worldbuilding through subtext offers a solution for immersive storytelling without spoon-feeding readers. Let’s analyze the mechanics and explore why this approach is
Worldbuilding Through Subtext Read More »
We resist real-world conflict, with good reason: it’s distressing at least and harmful at most. Ironically, conflict is the author’s essential writing tool. Authors pull the pin and toss the conflict grenade into the middle of scenes; we can’t run from the blast or fallout. Yet, many stories lack conflict, hurting overall storytelling. Here, we
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Essay #3 of 3 Every writer knows the frustration of a great idea that fizzles out–stories stalling without clear progression, stakes, or emotional depth. However, with intentional structure and development, even the simplest concept can grow into something powerful. FROM CONCEPT TO CAPTIVATING NARRATIVE “Not Drowning but Waving” by Sam F. Hutchins, published on June
Avoiding Stories That Go Nowhere Read More »
Essay #2 of 3 Flash fiction isn’t just about brevity; it’s about delivering a complete, impactful experience in a small space. Many writers confuse slice-of-life vignettes with flash fiction, but the key difference lies in their intentional focus. While slice-of-life lingers on a moment or mood, flash fiction presents a narrative arc: a story that
The Art of Focus: Slice-of-Life V. Narrative Arc Read More »
Limited Series Part 2 I’m gathering dust at my usual booth, taking a break from the midnight bazaar after reuniting the kid with his parents. I contemplate how long I can keep doing this—saving folks—as I chow down on a combo of onion rings and a soggy mushroom Swiss when a kid bolts
Essay #1 of 3 A powerful story isn’t just a sequence of events; it’s a journey. At the heart of that journey lies the shift moment–the turning point where something changes. The change could be an unexpected revelation, a character’s emotional breakthrough, or a sudden reversal of expectations. This shift transforms a story from a
The Shift Moment: How to Transform a Static Scene Into an Unforgettable Experience Read More »
Limited Series Part 1 My stall at the midnight bazaar wasn’t hard to find. All you had to do was walk past countless other derelicts pawning family heirlooms or renting themselves out as a companion to talk to. To fuck. To play therapist. The smell of deep-fried illegal meat and contraband cigarette smoke
Somewhere in the Lunar Wilderness Read More »
Essay #3 of 3 in the Series on Action, Danger, and Emotional Writing Emotion is the bedrock of our human experience. In writing, emotion builds a scene, holds a reader’s attention, and creates a memory for readers that lingers beyond the final lines. Neither writers nor characters can fake emotions: they are the truth of
Emotional Writing: Learn the Secret How-Tos From Two Masterful Authors Read More »
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