Writers generally detest absence. Thus, we rush to explain what we believe readers need to know. But what if we give our audience just the right information and trust them to infer meaning? Worldbuilding through subtext offers a solution for immersive storytelling without spoon-feeding readers. Let’s analyze the mechanics and explore why this approach is […]
Worldbuilding Through Subtext Read More »
Essay #3 of 3 Every writer knows the frustration of a great idea that fizzles out–stories stalling without clear progression, stakes, or emotional depth. However, with intentional structure and development, even the simplest concept can grow into something powerful. FROM CONCEPT TO CAPTIVATING NARRATIVE “Not Drowning but Waving” by Sam F. Hutchins, published on June
Avoiding Stories That Go Nowhere Read More »
Essay #2 of 3 Flash fiction isn’t just about brevity; it’s about delivering a complete, impactful experience in a small space. Many writers confuse slice-of-life vignettes with flash fiction, but the key difference lies in their intentional focus. While slice-of-life lingers on a moment or mood, flash fiction presents a narrative arc: a story that
The Art of Focus: Slice-of-Life V. Narrative Arc Read More »
Your writer’s brand is like a signature–unique. Through your brand, you enter a compact with readers, telling them what to expect from your work or online engagements. Your brand separates you from thousands of writers vying for attention in a crowded industry and establishes trust and influence among followers and loyal readers. WHAT IS A WRITER’S BRAND?
YOUR WRITER’S BRAND: What It Is, What It Looks Like, and How to Develop Yours Read More »
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