Writers generally detest absence. Thus, we rush to explain what we believe readers need to know. But what if we give our audience just the right information and trust them to infer meaning? Worldbuilding through subtext offers a solution for immersive storytelling without spoon-feeding readers. Let’s analyze the mechanics and explore why this approach is
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Limited Series Part 2 I’m gathering dust at my usual booth, taking a break from the midnight bazaar after reuniting the kid with his parents. I contemplate how long I can keep doing this—saving folks—as I chow down on a combo of onion rings and a soggy mushroom Swiss when a kid bolts
By the dim light of a dying candle, Grandmother’s hunched back looms over your small, quivering body, fever high. She presses horn against stone—withered skin pulled taut over smooth bone. Smooth bone hard against jagged, carved rock, pour water, mix—the murky water is magic. When did her hands stop looking like
An Elegy for Horns Read More »
i f you had believed in the old tales, you wouldn’t have gone out when the full ice moon rose in a satin sky and shone down milky white, like a blind eye, its silver river reflecting daylight-brilliant across the unblemished snow; no footprints to follow––man nor beast––only a feeling that something uncanny skulked beneath
when the ice moon rises, and the night is strangely bright Read More »
W hen the knock came, Penny had thought it would be insistent and bold. The way she remembered him. Instead, it fluttered, hesitant, against the door like the wings of a broken bird. She might have missed it if she hadn’t been waiting for it. He’d been smart to send a runner ahead to let